This poster is one from a series I'm exhibiting in an upcoming show at Melbourne Museum. The exhibition, 'New Views', is an open conversation about graphic design today. This poster is talking about the possible connection between a wilfully local-limited-language of available materials, idiosyncratic stories and a universal vocabulary allied to hand craft skills as taught by the Bauhaus. Something about a Local Universe. Everything within your walking distance and arms-reach-periphery.
I was citing this Max Bill poster (via Walker Art Center), with an RGB version of the primary triangle circle square. For me he struck an amazing balance, mentioned in an earlier post, of a machine-aesthetic and hand-craft-method.
The other source was this late Ming dynasty (c.1600) work by Ni Yuanlu, 'Cloud Water Stone'. It is describing the essence of qi, the active energy force that runs through and binds animate and inanimate things. I like the idea of something nebulous being 'konkrete'. Reminiscent too of Alexander Cozen's studies of clouds, which in turn influenced John Constable.