A rack, which sits a layer of found forms on top of the stacks and bookwork, is just about there. Each layer changes the character of the whole; certainly how it might be read as a functional, learning or play thing.
It also signals for me that I need to start to author more truly spatial and dimensionally weighted works. Not at the expense of imagemaking but as a logical next step for the language. Ceramics has only added to the feeling.
I'm so used to making marks on things; it's a slow uptake to understand that the things are the marks.