![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2_znoRG-DZf2x_o_zwbfXHzmY_v95ojhuA9taqL4fOxEWEcIRBzv-ul0J2dwkbWEqZq6IrV9xL5dGiTEACGLAG2fqlVYAJU3A9uDR40wA0yNczoAKcSVj01sW4NDS7Xf2EulQchEP1mHc/s400/Nencini_HWNY3_proto2.jpg)
A rack, which sits a layer of found forms on top of the stacks and bookwork, is just about there. Each layer changes the character of the whole; certainly how it might be read as a functional, learning or play thing.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvyKg-tw43BXMKeSSaRjxMQg91B8nuPvN6uIgHb2JL8rKE7nBLi2VUqnFhiW9mFXToRlK3gzfSbZD1NivjF5e8dZy6l7PJgxCCqs3ohuVuXib9CaaUns2op8TUATphg2quavF-Yiez8tMk/s400/Nencini_HWNY3_proto1.jpg)
It also signals for me that I need to start to author more truly spatial and dimensionally weighted works. Not at the expense of imagemaking but as a logical next step for the language. Ceramics has only added to the feeling.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibBxlqAJ9rnSQmle7kjCnoF3VKmEdM5cecSF3tyGl6AfbxoMtY9fcGQcLITImIxON8i6u3K178NWlDoXqQyo4e1-5QKAJuDf981NueR0B3ihApH-XCxs4V25qAMyobImtwcplr_9WbXD3x/s400/Nencini_HWNY3_proto3.jpg)
I'm so used to making marks on things; it's a slow uptake to understand that the things are the marks.